Re-evaluating Wine

America is a young country. We forget this sometimes, especially those of us who are riding the strange, aimless ship that is this star-spangled nation. We don't have castles (not real ones) and we don't have anything but trees that are properly ancient. Nothing we do here has been going on for more than a few centuries, which is pocket change time for the rest of the world, especially on the other side of the Atlantic and Pacific oceans. Our attempts at culture and refinement must look quaint to those who can casually walk the streets and hills of regions that have already seen a handful of empires come and go, that have been growing produce and flowers since before America was a glimmer in the tea-stained teeth of a British colonist. All told, we've been making wine in the United States for all of 70 years, give or take, and our soil is just now starting to yield the right levels of nutrients to produce respectable stuff. For a very long time the wine that came out of the much-revered (and let's face it, overrated) Napa Valley of California was considered cut-rate swill. It's what people bought for formal events they didn't care about, what the misers of the family brought to the reunion. Guys like the Gallo Brothers made a small fortune on the cheap stuff, but before long some proper wine crafters started working on barrels of palatable potables. These days, California, Oregon and Washington make some damn decent wine, but this has led to a certain degree of snobbery about the stuff. I think we Americans need to adjust our perceptions.

Wine is old. It's one of the oldest cultured products of our adventurous species. The earliest evidence we have of wine production dates back to around 8000 BCE around the Black Sea region, which remains a robust wine-producing locale, as well as for cognac. Let us consider what 8000 BCE looked like. This is an era before the majority of recorded history, when the concept of cities was novel and written law was a futuristic innovation. Plainly, people have been drinking wine since we were three hairs short of chimpanzees.

That's why it's so baffling that wine has become a thing of elitism as of late. Sure, there have always been preferred vintages that go for more money than the simple stuff the commoners drink, but this has become especially pronounced in the past few decades. Somehow, especially in America, the divide between rich and poor was drawn in two, long dribbles of pricey Pinot Noir and Carlo Rossi. High-end wine and "the cheap stuff" have been put in two dramatically different categories, resulting in a downright classist perspective on what people drink. This is absurd because the majority of affordable wines (in the 5-12 dollar range) are perfectly acceptable compared to the ultra-cheap poison that gets sold in boxes and jugs.

Really, wine ought to reclaim its place as the universal drink of revelry after a few interminable American decades as a signifier of wealth. This really is a problem for the culture of the United States, too. Europeans and those few Asian countries that haven't ignored or forbidden wine understand that there's a spectrum in viticulture, as with all things. There's table wine, the stuff you drink with your sandwich at lunch. It's not complex and you don't have to let it swim around on your palate so you can pick out the notes of lavender and sea air, or whatever the hell wine snobs look for in their fermented grape juice. Wine is the food/drug we consume as a reminder that we're alive, and most of life takes place in the mundane, not the spectacular.

So, it's my recommendation that Americans learn to drink wine as if it's the ancient, universal libation it truly is. There's nothing wrong with marveling at the complexity of a symphonic Bordeaux or lingering in the sharp power of a Carneros vintage, but there's also no reason to dismiss the simple pleasure of a cheap, local bottle at dinner on a Wednesday.

Maine Mead Works

Dry Mead and Lavender Mead made with Maine Wilflower Honey

Maine Mead Works of Portland Maine was born in 2007, as a collaborative effort between Ben Alexander and Dr. Garth Cambray, an experienced and award winning mead maker from South Africa. Dr. Cambray founded his own meadery, Makana Meadery in South Africa in 2001. Today, Maine Mead Works staff include Ben and Carly Alexander, Dr. Cambray, and mead maker Nick Higgins. They use Maine wildflower honey to make their mead. For those of you who aren't quite sure what mead is, it's honey wine; you can read a bit about it here. Maine Mead Works produces a variety of meads, ranging from traditional medieval style Cyser made with mead and cider, to a variety of fruit-infused meads, including strawberry, cranberry and blueberry. A friend sent me two bottles of Maine Mead Works mead; I liked both of them very much. Both of these meads are 12.5% ABV.

HoneyMaker Dry Mead

This particular mead, according to Maine Mead Works, is made from "wildflower honey collected in goldenrod filled fields in Aroostook County, Maine." It's a very pale straw in the glass. On the nose, there's a definite impression of honey, the slightly musky sweet aroma that mead is known for, adn something faintly reminiscent of Mock Orange. In flavor, you can taste the honey but it's not overpoweringly sweet the way some meads can be. There's a hint of something slightly mineral and a delightfully dry finish. I tried this chilled, much as one would with a white wine, but it would benefit, I think, from being slightly less chilled. I notice that the Maine Mead Work's Web page for HoneyMaker Dry Mead suggests serving it chilled, and allowing it to breath or even decanting it. Maine Mead Works suggest pairing their Dry Mead with smoked seafood, lobster and spicy foods. I think it pairs beautifully with Szechuan cuisine.

HoneyMaker Lavender Mead

The HoneyMaker Lavender Mead is very similar in color to the Dry Mead. It's distinctive in every other way. There's a lovely floral aroma, but not It's not specifically the aroma of lavender, in addition to the sweet musky honey aroma that one expects with mead. There is a hint of lavender in the taste, also the musky sweetness of honey, and something that a little bit like kiwi and musk melon. I was a little worried that a lavender mead woud be, well, perfumey, and not in a good way. This is lovely, and quite distinctive. I think not only would it pair well with soft cheeses, I think this is an elegant dessert course on its own. I note that Maine Mead Works Web site states that their Lavender mead is made with locally grown Maine wildflower honey, and English Lavender of several varieties, including Munstead and Betty's Blue from Glendarragh Farms in Appleton, Maine.

Buy.com: Metrokane Rabbit Aerating Pourer - $12.99

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Two Vines Columbia Crest Pinot Grigio 2009

Light, tropical and fresh Washington white table wine

I like Pinot Grigio, or Pinot Gris, for those who favor French for wine lables. It's one of those white wines that I associate with late spring and summer, partially because of the tropical and floral aromas that Pinot Grigio often displays. This particular Pinto Grigio is a Washington State Columbia Valley product, from Columbia Crest's Two Vines table wine tier. I've become rather fond of the Two Vines wines, in part because they are reliably good wines (though I favor the whites over the reds), readily available in Washington, and in the last two years, increasingly available on the east coast, where a lot of my friends and relatives are, most of whom thus far have not ventured far past California in terms of trying domestic wines. I've written about a number of Two Vines wines before.

We've been indulging ourselves with crostini, made on French baguette, lightly sprinkled with olive oil, and topped with fresh tomato, soft cheese (goat cheese and fresh mozzarella work well), sauteed local spinach, and sometimes, bacon. We wanted a nice light white wine to go with our dinner, and spotted this 2009 Columbia Crest Two Vines Pinot Grigio.

This is a 100% Columbia Valley Pinot Grigio, blended, fined and filtered as part of the post-processing before bottling, and it has an ABV of 12.5%. The 2009 Two Vines Pinot Grigio is very pale gold but quite attractive in a glass. There's a hint of honeydew melon, and something slightly floral on the nose, though I didn't notice the floral quality until after the wine had warmed a bit. The flavor is delicate, and enticing, with notes green apple, or Seckel pear. There's a mineral quality to this crisp, slightly citrus-green apple pear taste that's quite refreshing. It's not working for me quite as much as the Spanish Barbadillo Palomino Fina vino de la Table de Cadiz 2009, but I will definitely keep this Two Vines Pinot Grigio in mind this summer. Ken of Ken's Wine Guide has some positive opinions as well. I should note we picked up a 1.5 liter bottle for $9.99 on sale.

I note that Columbia Crest winemaker Ray Einberger suggests pairing Two Vines Pinto Grigio with "potato salad, cheese pizza, Chinese, Indian, and Thai dishes, Tex-Mex, clam chowder and fish n' chips." I confess to being curious about pairing it with Indian cuisine, since it can be a difficult pairing. I am in particular thinking about Two Vines Pinto Grigio with Chana Chat (Chaat), Chicken Sagwala, Naviran Korma, Kashmiri Pulaav, Paneer Kulcha, and Khir.

Covey Run Columbia Valley 2006 Merlot and 2008 Fumé Blanc

The Quail series of table wines

I've written about Covey Run's Quail line of Washington Columbia Valley wines before. I've never been disappointed by their wines. I should point out that it is no small thing for a winery to have garnered 20 Wine Spectator Best Value awards. This time, I'm particularly pleased. I've written about Covey Run's 2005 Sauvignon Blanc, their 2006 Covey Run Cabernet Sauvignon, Covey Run's 2007 Columbia Valley Dry Riesling, and Covey Run's 2006 Chardonnay. Today, I'm writing about Covey Run's 2008 Columbia Valley FuméBlanc and Covey Run's 2006 Merlot.

Covey Run Fumé Blanc Washington's Columbia Valle

y 2008.

In 2005, Covey Run released their last Sauvignon Blanc wine, switching in 2006 to using Fumé Blanc on the labels of wine made with Sauvignon Blanc grapes. Robert Mondavi essentially made up the name FuméBlanc in 1968. In some cases, Fumé Blanc implies a Sauvignon Blanc wine made in a slightly dryer style, or one that is aged in oak, but that very much depends on the winery and winemaker. In this particular case, some of the wine was "exposed to oak," which, while it may refer to wine barrels, suggests to me that oak chips or some of the other similar ways of oaking wine were used. This is a lighter color in the glass than the 2005 Sauvignon Blanc, and it is a bit lighter and dryer in taste. The aroma hints at pineapple, and there's a delicate reminder of pineapple and possibly a hint of something softer and sweeter (melon?) as well. It's a light, crisp, and very refreshing wine. The ABV is 13.5%, and this was another of those semi-miraculous scores at the Bargain Grocery Outlet, at $4.99 a bottle. We found a lovely local goat cheese, and I'd like to pair this with a goat cheese, pear, spinach and Northwest hazelnut salad. I think it would go equally well with crab or oysters, and it was quite wonderful with a tuna salad sandwich on fresh baguettes.

The Covey Run Merlot 2006 has aged quite nicely. I was braced, honestly, for a wine that had perhaps been around a bit too long. I should probably confess right up front that I'm not the world's biggest Merlot fan, though I do like it, and secondly, that I think this may be the oldest Washington wine I've ever had.

This is another of those wines that, while the label says Merlot, is actually 80% Merlot, and 20% Malbec; it makes quite a difference, for me. It has a bit more bottom than some of the other Washington Merlot I've had, and enhances the Merlot. It's a lovely deep ruby red in the glass, and quite attractive by candlelight. The typical raspberry aroma is very much present, but it's not too fruit forward, there's a smoky earth edge, and some definite tannin for all thered and black raspberry flavors. I honestly think that I like this Merlot not only because of the Malbec, but that it has aged well. It's 13.8% ABV, and it too was a find at the Bargain Grocery Store for $5.99. I'm hoping to pick up a few more bottles to have this summer with steak, or even burgers.

Washington State Senate Approves Small Wine and Beer Samples at Farmers Markets

Today in a 41 to 4 vote, the Washington state legislature authorized samples of wine and beer to be distributed at ten farmers markets. The samples are limited to 2 ounces per sample for legally-aged adults with I.D., and a maximum of 4 ounces per person. The brewers and vintners must either be next to a food seller, or be providing food. This decision follows the earlier decision in 2003 to allow Washington-made wine to be sold at farmers markets. This limited test at ten markets is a pilot program, running from July 1, 2011 to September 30, 2012. You can read more about it here.

The ability to offer potential customers samples has enormous potential for Washington wineries (and brewers) because they can coordinate their wines for sale in terms of seasonal pairings and collaboration with the local food vendors (many of which include local restaurants) and local farmers and butchers, and cheese makers at the markets. A wine producer can ask the visitor what they're planning for dinner, or about the special meal they're purchasing ingredients for, and offer them a sample of the ideal wine. Given the number of market vendors who operate small stores, it means smaller wineries can introduce their wines to retailers who might not be familiar with them, given the way large distributors dominate the Washington market and control shelf space.

One of my very favorite Washington wine makers makes amazing wines with local fruit in very small batches, sold exclusively through farmers markets. There's another benefit to both the winemaker and the customer, in that the goods are sold directly from the maker to the customer without a markup.

Image credit: Ballard Farmers Market, WA by Joe Mabel

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The Rosewill R-WO-01 Wine Opener is a bar/kitchen essential. It takes about 8 seconds to open the cork and operates on 4-piece alkaline "AA" battery. Full batteries allows up to 70 bottles to be opened easily. Stainless steel construction makes it durable.

Serious Sangria

When it comes to potables, I'm not a classicist. Wine, liquor, beer and the cocktails we make with them have only been improved with augmented recipes and more informed sensibilities. It was this lack of reverence that changed the Martini from the sour, vermouth-heavy concoction it was in the early 1900's to the crisp, subtle bar standard it is today. It's what transformed scotch from the mediciney rot-gut it was in the 1800's to the pinnacle of craftsmanship it became in the 20th century. Innovation is also what rescued beer from the one-note swill it had been for thousands of years and allowed it become a modern delight of variety and regional flare. That's why I'm not too keen on keeping sangria as close to the classic recipe as possible. Truth is, sangria can be either wonderful or awful and I happen to believe that it's at its best when the recipe gets fiddled with.

First, let's talk about the all-important wine base. My sangria recipe forgoes Spanish wine altogether because, frankly, I don't think it has the right characteristics for the drink. Spanish wine is bold, sharp and about as subtle as a howler monkey. It doesn't dance with other flavor notes because it has no other flavor notes itself, at least when compared to other European wines. It has the roughness of Argentine wine and one-dimensional character of Australian wine. Hitting it with fruit and other flavor agents is pointless because those flavors never really combine.

That said, really complex wine like the French love to make and the full, robust wine that comes out of Italy don't fit the bill, either. For my preferred sangria base, we have to look at the bottom of the Italian shelf. That's where we'll find Lambrusco, the stuff that has been Italy's high-yield table wine since Ancient Rome. Lambrusco is perfect for sangria because it has a slight fizz to it, the alcohol notes are barely noticeable and even its dry varieties are open to fruit flavors. In essence, it's cheap stuff that embraces its cheapness instead of trying (and failing) to be fancy.

Making sangria with bottled fruit juice is a crime, which is where my recipe and the classic recipe agree. As for what fruit to use, my mix prefers the hearty to the tropical. Skip the pineapple, the berries and the stone fruit. They'll all bring too much of their own flavor to the party. Orange, apple, pear and some kind of melon or even mango make for a refreshing but not overpowering mix.

When it comes to the sweetener, I prefer to go natural. Honey is perfect because it brings a distinct, full-mouth flavor without being cloying or sharp. Think of it this way: People eat spoonfuls of honey but not spoonfuls of sugar or simple syrup. It's an even-spreading taste. Also, honey dissolves in cold liquid, unlike sugar.

I'm also not too keen on hitting sangria with a lot of spice. It's not mulled wine. It's supposed to be refreshing. A little vanilla bean, some lemon zest and maybe a tiny amount of ground ginger should do the trick.

All of the above steeped and chilled overnight should suffice, though for a little extra punch feel free to add a small amount of decent brandy to the mix. It shouldn't impart that much flavor but it will raise the alcohol content, if that's what you're aiming for. It's not the traditional recipe but it's also not a crazy derivative. I just think it makes more sense and tastes better.

Pineapple Express

Until I moved to Washington state, I'd never even heard the phrase "pineapple express." But then one October, when it had been raining and cold all week, the weather turned. While the air was still heavy with moisture, it was balmy and even tropic, with a pronounced wind. That was my first pineapple express.

The pineapple express refers to a weather phenomenon wherein warm moist air from the Central Pacific, or more specifically, from Hawaii (hence the name) comes blowing up along the coast of California, right on through Washington and Montana. In western Washington, the pineapple express translates to unseasonably warm weather, and warm but constant rain with strong winds. It's sometimes a cause of flooding, but it's not like this region isn't used to lots of water falling from the sky.

In Southern California, the pineapple express means buckets of endless rain falling for days—and nowhere to go. In Southern California, the Pineapple Express brings floods and mudslides, and houses sliding from the cliffs into the sea. In the desserts of California and Nevada, it means fast-moving flash floods, washing away everything in their path. In Montana, heavy rain and warm air melting snow can create sudden flash floods as well. The graphic above is a NASA image showing the pineapple express that hit Southern California in December of 2010. From the 15th to the 22nd of December, California was deluged with record-breaking storms dropping from 12 to 24 inches of rain on coastal slopes. You can read more here, and here.

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